- Wednesday at 6 PM – 9 PM
- FREE ARTS EVENT: Reception and Awards Ceremony at the University of Miami Lowe Art Museum for the 2018 Cintas Foundation Fellowship Program Oct 10 from 6 to 9pm.
- RSVP TODAY
I am EXCITED to invite you to the Cintas Foundation reception and awards ceremony for the 2018 Fellowship Competition. I am a finalist in this year's Composer Fellowship program along with many other talented artists in music, fine art, and architecture. There will be a reception and a gallery exhibit of all nominees work followed by a short awards ceremony.
Please feel free to come and bring your family and friends to this wonderful arts event. I will be attending and would be so happy to see you there!
Musically yours,
Sabrina Peña Young
https://sabrinapenayoung.wordpress.com/
University of Miami
Lowe Art Museum
1301 Stanford Drive, �Coral Gables
Coral Gables, FL 33124
305-284-3535
MORE INFORMATION ABOUT THE CINTAS FOUNDATION:
CINTAS
http://cintasfoundation.org/
Foundation Announces Finalists for 2018-2019 Fellowships in Architecture & Design, Music Composition and Visual Arts
Miami, August 2018 – The CINTAS Foundation announces this year’s finalists for the annual CINTAS Fellowship Competition and the recipient of the Lifetime Achievement Award. A reception and awards ceremony will take place on Wednesday, October 10th, at the University of Miami’s Lowe Art Museum. An exhibition featuring works by each of the finalists will be on exhibit at the Lowe Art Museum beginning on Wednesday, October 3rd.
CINTAS Foundation Architecture & Design Finalists:
Javier Galindo, Ricardo López, Julia Sarduy
The jury: Robin Osler (Principal at Elmslie Osler Architect), Carie Penabad (Founding Principal of Cure & Penabad and Associate Professor at the University of Miami School of Architecture), Nader Tehrani (Design Principal of NADAAA and Dean of the Cooper Union School of Architechture)
CINTAS Foundation Brandon Fradd Music Composition Finalists:
Louis Franz Aguirre, Armando Bayolo, Sabrina Pena Young
The jury: Jamie Ousley (Assistant Professor, Florida International University), Thomas Sleeper (Director of Orchestral Activities and Conductor, Frost Symphony Orchestra and Opera Theater, and Music Director, Florida Youth Orchestra), Ken Ueno (Music Professor, University of California, Berkeley)
CINTAS Knight Foundation Visual Arts Finalists:
Nestor Arenas, Javier Castro, Rigoberto DÃaz, Tomas Esson, Alan Gutierrez, Aurora Molina, Emilio Perez, Grethell Rasua, Emanuel Ribas, Evelyn Rydz
The jury: Maria Magdalena Campos Pons (Cornelius Vanderbilt Endowed Chair of Fine Arts, Vanderbilt University), Patricia Garcia-Velez Hanna (Art Director, The Related Group), Kathryn Mikesell (Foundress and Executive Director, The Fountainhead Residency), Wanda Texon (Associate Curator, MDC Museum of Art and Design), Ricardo Viera (Professor of Art, Lehigh University and former Director/Curator of the Lehigh University Art Galleries/Museum Operation)
About the CINTAS Fellowship Program
The CINTAS Fellowship Program encourages creative development in architecture & design, creative writing, music composition and the visual arts. The CINTAS Foundation was established with funds from the estate of Oscar B. Cintas (1887-1957), former Cuban ambassador to the United States, prominent industrialist, and patron of the arts.
The Fellowship, marking its 56th year, includes a $20,000 award to carry out the fellows’ projects as submitted. The blue-ribbon juries are comprised of jurors of national and international standing.
The prestigious competition has recognized creative accomplishments by Cuban artists in the various artistic movements over the last five decades. It is unique in its depth and breadth due to the artistic significance of a prolific and relevant historic period in the Cuban arts. Winners are invited to become part of the CINTAS Fellows Collection through their artistic donations to the one-of-a-kind ensemble of Cuban art. The CINTAS Fellows Collection is a unique representation of the increasingly important works of its artists and creative movements since 1963. It is also one of the largest bodies of Cuban art outside of Cuba.
About the CINTAS Fellowship Collection
The CINTAS Fellowship Collection is comprised of nearly 350 pieces by artists of Cuban descent who have received prestigious CINTAS Fellowships awarded since 1963. The Fellows range from Carmen Herrera to Felix Gonzalez-Torres, Maria Martinez-Cañas, Teresita Fernandez, Pulitzer Prize winner Oscar Hijuelos, multiple-Obie winner Maria Elena Fornes, architect Andres Duany, Latin Grammy finalist composer Tania Leon, and many others.
For more information about the CINTAS program, please contact Laurie Escobar, CINTAS Administrator at info@cintasfoundation.org. You may also visit us at cintasfoundation.org
This year CINTAS will honor Juan A. MartÃnez, Ph.D., Professor Emeritus in the Department of Art and Art History at Florida International University, with the Lifetime Achievement Award. Professor MartÃnez is an art historian specializing in European and Cuban Modern Art. He received his Ph.D. as well as his M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. He is the author of Cuban Art & National Identity: The Vanguardia Painters, 1927–1950 (Florida, 1994), MarÃa Brito (UCLA, 2009), and Carlos EnrÃquez: The Painter of Cuban Ballads (Cernuda Arte, 2010). Dr. MartÃnez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art & Identity: 1900–1950 at the Vero Beach Museum of Art. He is currently working on a monograph on one of the pioneers of Cuban modern painting, Fidelio Ponce de León (1895–1949).
While the CINTAS Foundation has never given a Lifetime Achievement Award or Fellowship to someone whose career was spent in academic scholarship, Professor MartÃnez’ contribution to Cuban culture and the visual arts is exceptional and worthy of the highest honor. Therefore, CINTAS Foundation is delighted to extend this award to him.
When composing for percussion, it is important to know the difference between a variety of mallets. Although in most cases the percussionist will choose the proper mallets for the passage, sometimes as a composer, you want a particular sound. It is always good to research a mallet before indicating it in your score. Consult a percussion catalogue for a more in-depth look at the hundreds of mallets available. 1. YARN MALLETS They come in every dynamic range from supersoft baseball-sized to forte. They are the multi-purpose mallet, used for toms, suspended cymbal rolls, marimba, xylophone, woodblock, and pretty much anytime a percussionist doesn't have time to pick up another mallet. 2. CORD MALLETS These are harder than the yarn mallets. More effective on xylophone and vibes, these mallets can also be used for a variety of percussion instruments. 3. BRASS MALLETS These are for use on the glockenspiel/bells and the occasional brake drum. They produce a more "tinny" kind of ...
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