Join host John Debney as we take a step inside the ASCAP Film Scoring Workshop with Richard Bellis, an internationally-respected incubator for emerging film composers. Each year, 12 handpicked participants get a month's worth of advice and insider's perspective from studio executives, agents, attorneys and music supervisors. The centerpiece of the Workshop: the opportunity to record their original composition with an "A list" of Hollywood professionals, including a 60-piece orchestra of LA's finest musicians on a major studio film scoring stage, a legendary scoring mixer, professional music editors, copyists and composers acting as coaches and mentors. If you're a serious composer working towards a career in film music, this is the Workshop for you.

This was the footage from a program for apsiring composers. It brought guest speakers from the highest levels of the film and TV music industry. It also gave participants the same tools used by professional screen composers - including the chance to record a cue 60-plus piece orchestra.

ASCAP Film Scoring Workshop 2012 (Garth Neustadter, composer)

For over a decade, course author Andrea Stolpe has written for the commercial music industry, including songs performed by Faith Hill and Josh Gracin. Her online course, Commercial Songwriting Techniques, is a perfect combination of theory and concrete skill building that focuses songwriters on the key element of writing a hit song: creating patterns of content that will help to create memorable melodies and lyrics that forge an emotional connection with the listener.

About Mike King Mike King is a course author, instructor, and the Assistant Vice President for Marketing and Recruitment / Chief Marketing Officer at Berklee Online, the online continuing education division of Berklee College of Music. Prior to working at Berklee, Mike was the Marketing/Product Manager at Rykodisc, where he oversaw marketing efforts for label artists including Mickey Hart, Jeb Loy Nichols, Morphine, Jess Klein, Voices On The Verge, Bill Hicks, The Slip, Pork Tornado (Phish), Kelly Joe Phelps, and Frank Zappa's estate. Mike was the Director of Marketing and Managing Editor of Herb Alpert's online musician's resource, www.artistshousemusic.org, for three years. Mike has written and teaches four courses for Berklee Online: Online Music Marketing with Topspin; Music Marketing 101; Online Music Marketing: Campaign Strategies, Social Media, and Digital Distribution; and Music Business Trends and Strategies. His book, Music Marketing: Press, Promotion, D...

Digital Marketing Bootcamp: Especially for Artists and Musicians For more great videos, subscribe to our channel! http://www.youtube.com/subscription_c... Getting one's work seen or heard is imperative to the success of artists and musicians. For creatives, the Internet offers another dimension of exposure, but you must know how to maximize your reach.  Panel:  Lydia Bender  2008 Music Business graduate; former International Marketing Coordinator, Sony Music Brandy Price  Course Director, Music Distribution Heather Torres  Department Chair, Entertainment Business Bachelor of Science Israel Vasquetelle  Course Director, Music Merchandising and Retail Promotion

#QOTD : Please leave your 2 cents on the new and improving call in show #TIMESTAMPS : 4:03  - What if you woke up and were the CEO of Yahoo, what would you do? 7:56  - How do you prepare for live streaming- Periscope or Snapchat? 10:58  - How do I move from being the IT guy to actually having a consulting business? 15:52  - What advice would you give to someone who is trying to get ahold of influencers? 17:49  - I am working on a YouTube video SEO guide- should I presell it? I feel awkward selling something I haven't made yet. 20:52  - At what point do you set your sights on book #5? 25:49  - I'm a songwriter. I've invested in several giveaway items to form a street team. Any additional ideas to publicize my record? #LINKS : FACEBOOK:  https://facebook.com/gary FOLLOW MY SNAPS:  http://snapchat.com/add/garyvee MY BOOKS:  https://garyvaynerchuk.com/books -- Gary Vaynerchuk builds businesses. Fresh out of college he ...

MRO Music Industry Seminar by Todd Brabec The online/digital world has changed many of the ways that music is licensed as well as the amount of royalties that songwriters, composers and music publishers receive. This new world has created many new areas of exploitation and opportunity including music in apps, video games, e-cards, digital jukeboxes and interactive dolls and toys, to name but a few. In addition, many new forms of mechanical licensing and performances have come into existence - locker services, downloads, bundled services, ringtones and ringbacks, subscription and streaming services - all with new royalty rates . This seminar will discuss the types of deals, the negotiating process and the actual royalties being generated by songwriters and publishers in the online world. It will also cover many of the traditional areas of music licensing (radio, tv and live performances; film, television and advertising song licensing; record sales; songs in musicals, etc.) and...

Barbara Jepson writes an article comparing ASCAP's and BMI's adjudication process, especially in regard to possible gender bias. Check out the article at: http://www.newmusicbox.org/article.nmbx?id=2588