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"Sabrina has contributed significantly to Easy Ear Training's music education projects over the last two years. Through her articles on our website she has explored a wide variety of interesting topics in contemporary aural skills development. Without exception Sabrina has brought positivity and enthusiasm to her role, while consistently delivering superb work on or ahead of schedule. Her work is characterised by imagination balanced with scientific rigour. She can generate innovative and inspiring new ideas and then back them up with logical argument and evidence from research. Her talent for teaching comes through strongly in her written work. She has become an important part of the Easy Ear Training team, and I always look forward to working on projects with her." - Christopher Sutton, Easy Ear Training.com
"Priceless Insight! Having worked on my album for so song, I lost perspective and needed a music pro with fresh ears, an open mind and a diverse skillset. I was lucky to find Sabrina who is well-versed in the arts of music, recording and production. I received a very prompt response and it was quickly clear that Sabrina knows her stuff. Candid, but objective, her feedback was invaluable! I am so thankful for the detailed, thoughtful critique. Highly recommended!" Composer Michael Patrick Devine
“[Libertaria] was a heroic effort, and the level of singing in the animated opera was very high...It sounds like a graphic novel, and it looks like one, especially with its cartoon balloons taking the place of supertitles. As a story, it is very much in line with the good-vs.-evil sci-fi tradition, with the added bonus of a plucky female heroine…There are a good many percussion effects in the opera, and its tone is primarily quite dark and sinister, very much along the lines of a contemporary video game score.” Palm Beach Arts Paper Music Critic Greg Stepanich.
"Excellent feedback and marketing ideas Sabrina gave not only valuable critique for each of my songs but also a number of great marketing ideas that more or less helped me to narrow down to a few strategies that would be most effective for my situation. It will save me a lot of time and money to know where to focus my efforts. Highly recommended!" Composer Peter Garnvik
NMR Artist Spotlight: Multi Instrumentalist Margot MontiThis article is part of the New Music Resource Artist Spotlight Series. After a brief hiatus of this popular series that spotlights exciting emerging artists, filmmakers, and musicians, the New Music Resource is excited to present the Artist Spotlight Series for 2017-2018. We encourage you to check out the music and albums of these amazing artists.
Music Marketing Book Tips - Double-checking your Bands logo & font. An LW Music Business Speaker and Author Video Blog.
In The Artist's Guide to Success in the Music Business, I have small music marketing book tips in gray through out the book. So if you are skimming you can find little tidbits and helpful music business tips to think about and apply.
One of the music marketing book tips that I did not include in the new music industry book was about checking and double-checking your bands logo and bands font to see how similar or close the might be to others.
Very often a musician or band will get a design that they really like and run with it, not realizing till later how close it might look to some one else's or some other product. The horror stories, which I do include in the music marketing book, include a group that had paid a small fortune for merchandise before receiving a cease and d…
10. Indicating the wrong mallets for an instrument. Brass mallets on vibes? Try a hammer on a violin!
9. Writing the glockenspiel part as heard. You shouldn't have to climb a ladder of leger lines to read a glock part. Keep it in the staff.
8. When in doubt, adding more suspended cymbal. This is a huge mistake made by arrangers. Yep, cymbals add automatic intensity to a piece, but so can a bass drum roll, a rousing hand drum part, exciting mallet licks, or a hundred other combinations. Well-written percussion parts stand out in the band and church repertoire.
7. Better means more complicated, right? This is my main mistake. A percussion part can be simple enough for a middle school, but it is the ability to use the different tone colors of the percussion palette properly that indicates a maturity in writing, not that impossible part for the timpanist that has them playing timpani, gong, crash cymbals, and triangle in the span of two beats.