Skip to main content

Compose in Alaska: Composing in the WIlderness has Room for You

Fellow Composers:

I’m delighted to announce that we’ve opened registration for Composing in the Wilderness 2017!  This one-of-a-kind creative adventure will take place in Alaska, July 12-25, 2016 and due to unprecedented early interest, there are only four positions left open.

More info at: http://www.stephenlias.com/calendar/citw

Now it its sixth year, the course takes you to two spectacular regions of Northern Alaska, Denali National Park and Yukon-Charley Rivers National Preserve.  You’ll spend eight days exploring the stunning beauty of Denali’s wilderness and the mighty Yukon River, interacting with scientists and interpretive rangers, and developing your creative skills through translating these ideas into original chamber music. Our time in Denali will be focused on absorption and observations, while our time in Yukon-Charley will be spent on reflection and composing.  You’ll get the added excitement of taking bush plane flights (a truly authentic Alaskan experience) to and from Yukon-Charley National Preserve.

Following our wilderness experiences we will return to Fairbanks to work with top performers from the faculty of the Fairbanks Summer Arts Festival on your new pieces. We are planning two performances of the pieces – first in Denali National Park, and then another concert as part fo the Fairbanks Summer Arts Festival.

Encapsulating inspiration, composition, rehearsal, and performance into only two weeks, this field course is an intensive and exhilarating creative experience. Participants must be trained composers (professional, or currently enrolled in a university composition program) with experience preparing their own manuscripts and writing chamber music for various instruments.  Of course, you also need to be adventurous, physically fit and comfortable roughing it.

Space is limited, so don't delay.  (And of course, please forward this to anyone who might be interested!).  Composers of any experience level (from undergraduates and up) are very welcome, but one of our principal reasons for opening up registration so early is to attract faculty and professional composers who may be able to secure professional development funds to help with expenses.  We were astonished to fill over half of the positions in the first 24 hours after opening registration, and I suspect this is an indicator of how quickly the positions will be filled this year.

Come join us for this life-changing creative adventure!

LINKS:

- More complete online information (and pictures): http://www.stephenlias.com/calendar/citw
- Registration: https://www.fsaf.org/class.php?id=1159 (You’ll need to create a profile first using the little icon in the upper left.)
- Facebook Group: https://www.facebook.com/composinginthewilderness

Articles about previous years:

http://www.boulderweekly.com/adventure/composers-go-into-the-wild-and-come-home-transformed/  (GREAT new article from Boulder Weekly about our 2016 workshop)
http://www.australianmusiccentre.com.au/article/bringing-home-a-piece-of-alaska (Australian Music Center)
http://www.houstonchronicle.com/news/houston-texas/houston/article/Young-composers-head-into-the-wild-for-inspiration-4854833.php (Houston Chronicle)
http://www.artsatl.com/2013/08/preview-composer-stephen-wood-journeys-alaska-find-inspiration-wilderness/ (Arts Atlanta)
http://www.newmusicbox.org/articles/composing-in-the-wilderness/ (NewMusicBox)

This unique workshop is offered as a collaboration between:

  Fairbanks Summer Arts Festival
  Alaska Geographic
  Denali National Park and Preserve
  Yukon Charlie Rivers National Preserve
  Denali Arts and Humanities Alliance
  The Murie Science and Learning Center

Feel free to contact me with questions.

Steve Lias

—————————————
Dr. Stephen Lias
Professor of Composition
Stephen F. Austin State University
slias@sfasu.edu

Director, Composing in the Wilderness
www.stephenlias.com

Comments

Popular posts from this blog

New Music Artist Spotlight EXCLUSIVE: Steampunk Musical and Interview With Gretchen Suarez-Peña

New Music Artist Spotlight: Steampunk Musical & Interview With Gretchen Suarez-Peña New Music Resource was excited to interview exciting musical theater playwright and director Gretchen Suarez-Peña about her latest musical theater production: Melina A Steampunk Musical Tragedy. Gretchen Suarez-Peña is a long-time playwright and lover of the theatre. She has been acting, directing, and writing plays since her teenage years. Her most recent success was winning overall best full-length play at the 2018 Tampa Bay Theatre Festival for her show Conversations in the Car. Playwright and Director Gretchen Suarez-Peña NMR: How did you start in musical theatre? What inspired you to follow this path?  I've been involved in musical theatre since I was a kid. I loved the theatre, acting, singing, and acting in middle school and high school. I participated in every thespian competition and community theatre production I could at that time and into college and early ...

Percussion 101: How to Play Hand Crash Cymbols

Young Girl Plays Cymbals The hand cymbals (or crash cymbals ) are extremely versatile percussion instruments . The hand cymbals are used in the military, drum and bugle corps , the orchestra, and wind ensembles. Proper percussion hand cymbal technique takes many years of practice and hard work, as well as stamina and upper body strength. The most common use of the hand cymbals is in the drum line, whether in a high school band or a professional drum and bugle corps. Two cymbals are held by straps to the cymbal player's hands. In marching band and drum and bugle corps, the cymbal player often will loop their own hand in the strap, then grab the strap.  Protect Your Hands Tape, strap pads, and gloves are often used to protect the cymbal player's hands from blisters and the slow grinding away of skin during a lengthy band show. In the orchestra setting, where the crash cymbal is often reserved for music accents and shorter music passages, the percussion player does...

Machinima Magic using Moviestorm, Final Cut, and Photoshop

For those who have been wondering about the hiatus here at the New Music Resource, wonder no more! The past six months I have been working on a sci-fi machinima musical Libertaria: The Virtual Opera . Created almost entirely in the machinima software platform Moviestorm and scored with a catchy combo of electronic music, film scores, and dramatic vocals, Libertaria has been an incredible collaborative project. Moviestorm has been an excellent and inexpensive way to create an entire epic sci-fi tale for a minimal amount of resources. Almost three years ago I started using Moviestorm for a variety of video projects, and then decided to make an entire feature length musical using only machinima. The project proved challenging, involved a couple of dozen singers, animators, and other artistic professionals volunteering their talent and resources to create an incredible feature. W atch a the lo-res version of  the song Pilar of the Underground from Libertaria: The Virtual Opera : ...