Skip to main content

2015 Sundance Composer/Director Roundtable: Word of Wisdom Part 1





BMI’s 17th annual Composer/Director Roundtable, entitled “Music & Film: The Creative Process,” was held on Tuesday, January 27, during the 2015 Sundance Film Festival in Park City, Utah. The informative conversation, which is a cornerstone event at the Festival, was moderated by BMI Vice President of Film/TV Relations Doreen Ringer-Ross and explored the role of music in film. Focusing on the relationship between composer and director, panelists discussed what goes into creating a successful film score, the ingredients of an effective composer/director relationship, the Sundance Film Festival experience and other relevant topics. This year’s participants included composer H. Scott Salinas and director Matthew Heineman of Cartel Land; composer Ilan Eshkeri and director Jared Hess of Don Verdean; composer Bryan Senti and director Michael Almereyda of Experimenter; composer Miriam Cutler and director Kirby Dick of The Hunting Ground; composer Peter Golub and director Chloé Zhao of Songs My Brother Taught Me; composer Nora Kroll-Rosenbaum and director Nikole Beckwith of Stockholm, Pennsylvania; composer Mark Orton and director Jim Strouse of People, Places, Things; composer Keegan Dewitt and director Kris Swanberg of Unexpected; composer Dustin O’Halloran and director Prashant Nair of Umrika; composer T. Griffin and directors Michael Beach Nichols and Christopher K. Walker of Welcome to Leith; composer Heather McIntosh and director Craig Zobel of Z for Zachariah; and composer H. Scott Salinas and director Mora Stephens of Zipper.

http://www.bmi.com

About BMI
Celebrating 75 years of service to songwriters, composers, music publishers and businesses, Broadcast Music, Inc.® (BMI®) is a global leader in music rights management, serving as an advocate for the value of music. BMI represents the public performance rights in more than 8.5 million musical works created and owned by more than 650,000 songwriters, composers, and music publishers. The Company negotiates music license agreements and distributes the fees it generates as royalties to its affiliated writers and publishers when their songs are performed in public. In 1939, BMI created a groundbreaking open-door policy becoming the only performing rights organization to welcome and represent the creators of blues, jazz, country, and American roots music. Today, the musical compositions in BMI's repertoire, from chart toppers to perennial favorites, span all genres of music and are consistently among the most-performed hits of the year. For additional information and the latest BMI news, visit www.bmi.com, follow us on Twitter @BMI or stay connected through Broadcast Music, Inc.'s 



Want to write music? Want to teach your students how to write music?

AVAILABLE NOW:https://www.createspace.com/6124929

“Excellent ideas for young composers, and brilliant ways to get unstuck if you’re a mature composer.” – 5 STAR Customer Review

Composer boot camp coupon2


Comments

Popular posts from this blog

New Music Artist Spotlight EXCLUSIVE: Steampunk Musical and Interview With Gretchen Suarez-Peña

New Music Artist Spotlight: Steampunk Musical & Interview With Gretchen Suarez-Peña New Music Resource was excited to interview exciting musical theater playwright and director Gretchen Suarez-Peña about her latest musical theater production: Melina A Steampunk Musical Tragedy. Gretchen Suarez-Peña is a long-time playwright and lover of the theatre. She has been acting, directing, and writing plays since her teenage years. Her most recent success was winning overall best full-length play at the 2018 Tampa Bay Theatre Festival for her show Conversations in the Car. Playwright and Director Gretchen Suarez-Peña NMR: How did you start in musical theatre? What inspired you to follow this path?  I've been involved in musical theatre since I was a kid. I loved the theatre, acting, singing, and acting in middle school and high school. I participated in every thespian competition and community theatre production I could at that time and into college and early ...

Percussion 101: How to Play Hand Crash Cymbols

Young Girl Plays Cymbals The hand cymbals (or crash cymbals ) are extremely versatile percussion instruments . The hand cymbals are used in the military, drum and bugle corps , the orchestra, and wind ensembles. Proper percussion hand cymbal technique takes many years of practice and hard work, as well as stamina and upper body strength. The most common use of the hand cymbals is in the drum line, whether in a high school band or a professional drum and bugle corps. Two cymbals are held by straps to the cymbal player's hands. In marching band and drum and bugle corps, the cymbal player often will loop their own hand in the strap, then grab the strap.  Protect Your Hands Tape, strap pads, and gloves are often used to protect the cymbal player's hands from blisters and the slow grinding away of skin during a lengthy band show. In the orchestra setting, where the crash cymbal is often reserved for music accents and shorter music passages, the percussion player does...

Machinima Magic using Moviestorm, Final Cut, and Photoshop

For those who have been wondering about the hiatus here at the New Music Resource, wonder no more! The past six months I have been working on a sci-fi machinima musical Libertaria: The Virtual Opera . Created almost entirely in the machinima software platform Moviestorm and scored with a catchy combo of electronic music, film scores, and dramatic vocals, Libertaria has been an incredible collaborative project. Moviestorm has been an excellent and inexpensive way to create an entire epic sci-fi tale for a minimal amount of resources. Almost three years ago I started using Moviestorm for a variety of video projects, and then decided to make an entire feature length musical using only machinima. The project proved challenging, involved a couple of dozen singers, animators, and other artistic professionals volunteering their talent and resources to create an incredible feature. W atch a the lo-res version of  the song Pilar of the Underground from Libertaria: The Virtual Opera : ...