Skip to main content

Percussion Instruments 101: How to Play the Concert Triangle

musician
PHOTO"wikimedia.org

Percussion Instruments 101: How to Play the Concert Triangle

There are literally hundreds of concert percussion instruments in use every day throughout the world. Whether you are playing percussion in a drum circle in Ghana, a jazz band in New Orleans, or a symphony orchestra in Sweden, you are playing an instrument that has traveled and mutated throughout the globe.

The percussion instrument the triangle, is a metal rod bent into the shape of a two dimensional geometric triangle with one of the bottom corners disconnected to allow sound waves to escape. The concert triangle often has a slight difference, in that it may have a hole in one corner to loop a piece of nylon to hang the concert triangle. If it is an Alan Abel triangle, it will have a slight difference in the open end. That angle will end in a different thickness, supposedly to help the triangle sound to escape better acoustically. The triangle may be struck near one of the closed angles or may be struck in the middle of the "bottom" rung of the triangle when it is held upright by the percussion player.

The concert percussion triangle will typically hang from a clip, often attached to a music stand or held by the percussion player. It is struck with a metal beater, essentially a thin metal rod. There are literally dozens of triangle beater types and shapes available. The least expensive ones, often accompanying simple elementary school music percussion kits, will resemble the shape of a very large sewing needle, but with a blunt end. Pricier concert triangle percussion beater kits will have several different thicknesses of beaters. Often a professional percussion player will have several copies of a favorite concert triangle beater to better facilitate quick and difficult passages with two 
hands.




The triangle roll is perhaps the most difficult, and disputed, percussion technique on the concert triangle. There are two main schools of thought. One percussion school teaches percussion players to create a triangle roll by using a single beater rapidly moving up and down in a closed angle of the triangle. The other school of thought actually hangs the triangle with two clips, open angle facing down. The concert triangle roll, and quick music passages, are played with two beaters on the side facing up (the side with two closed angles). Some percussion players will even have two triangles, each set up differently, to perform difficult music passages. A good percussion player will be able to keep each beat at the same volume and will be able to execute any crescendo or decrescendo perfectly.

Many times the concert triangle is left to the least experienced percussion player who lacks the finesse and proper hand control to execute a difficult music passage professionally and effectively. Playing the concert percussion triangle properly and professionally within the orchestra, band, or wind ensemble setting takes a lot of time and practice.

Comments

Abhayranjith said…
The article provides a comprehensive introduction to the concert triangle, a common percussion instrument used in various music settings worldwide. The author highlights the triangle's unique shape, with one corner disconnected to allow sound waves to escape. Additionally, they mention variations such as the Alan Abel triangle, which is designed to enhance acoustic properties. The article discusses the use of a metal beater to strike the triangle and mentions the various types and shapes of beaters available. It also points out that professional percussion players often possess multiple beaters to tackle different musical passages efficiently. To discuss more about visit Audio Engineering Courses In India

Popular posts from this blog

Percussion 101: How to Play Hand Crash Cymbols

Young Girl Plays Cymbals The hand cymbals (or crash cymbals ) are extremely versatile percussion instruments . The hand cymbals are used in the military, drum and bugle corps , the orchestra, and wind ensembles. Proper percussion hand cymbal technique takes many years of practice and hard work, as well as stamina and upper body strength. The most common use of the hand cymbals is in the drum line, whether in a high school band or a professional drum and bugle corps. Two cymbals are held by straps to the cymbal player's hands. In marching band and drum and bugle corps, the cymbal player often will loop their own hand in the strap, then grab the strap.  Protect Your Hands Tape, strap pads, and gloves are often used to protect the cymbal player's hands from blisters and the slow grinding away of skin during a lengthy band show. In the orchestra setting, where the crash cymbal is often reserved for music accents and shorter music passages, the percussion player does...

Top 5 Music Theory Websites for Music Students and Teachers

Music theory students and teachers can benefit from additional learning from online resources. Today's student is used to interactivity and multimedia, and these music websites can help augment the usual classroom fair, whether you are teaching elementary music or basic theory for college freshman. Most of these theory websites provide user-friendly lessons with colorful illustrations, and a few even provide online exercises.  Musical U Musical U is an online community that provides ear training and music theory expertise, detailed lesson plans, examples, free practice audio, and more.  Ricci Adam's Music Theory.Net Ricci Adam's Music Theory.net is my favorite online music website. Not only does the online music site provide lessons in everything from basic intervals to Neapolitan chords, there are also a large number of exercises. Additional utilities include a chord calculator and a matrix calculator for serialism lessons. Additionally, there are basic exercis...

Machinima Magic using Moviestorm, Final Cut, and Photoshop

For those who have been wondering about the hiatus here at the New Music Resource, wonder no more! The past six months I have been working on a sci-fi machinima musical Libertaria: The Virtual Opera . Created almost entirely in the machinima software platform Moviestorm and scored with a catchy combo of electronic music, film scores, and dramatic vocals, Libertaria has been an incredible collaborative project. Moviestorm has been an excellent and inexpensive way to create an entire epic sci-fi tale for a minimal amount of resources. Almost three years ago I started using Moviestorm for a variety of video projects, and then decided to make an entire feature length musical using only machinima. The project proved challenging, involved a couple of dozen singers, animators, and other artistic professionals volunteering their talent and resources to create an incredible feature. W atch a the lo-res version of  the song Pilar of the Underground from Libertaria: The Virtual Opera : ...