Skip to main content

Rhythm and Music


Today we are going to talk about Rhythm and Music Notation.

In 4/4 Time there is Four Quarter Notes to a measure. You would count them 1-2-3-4. Most popular music is written in 4/4 time. It is probably the most popular time signature in western music.

If a piece were in 3/4 time, then you would have three quarter notes per measure. You would count this 1-2-3. A waltz is a good example of a piece in 3/4 time.

In 2/4 time there will be two quarter notes per measure. Like a march.




The conductor directs the orchestra. It is also his or her job to catch any mistakes and to run rehearsals.


The Sleeping Beauty Waltz


Example of a March


Not all music is in simple duple or triple meter. Many musical styles from nonwestern countries combine all types of meters and rhythms into very complex interweavings of music.

Indian Tabla Music


AfroCuban Music


Javanese Gamelan Music




Compare the meters and rhythms of the thre previous examples. How were they different? How were they the same? How do these rhythms and meters compare to the classical music examples?



While Western music in the Renaissance, Baroque, Classical, and Romantic eras remained largely in duple or triple meter, music from the 20th century until now has utilized many, many different types of meters and rhythms. Funny enough, music from the Middle Ages, like Gregorian Chant did not have set meters.



Most of the classical music we will be studying this semester will be in duple meter. Here is a short example of how duple classical music really is:


This mix was created by composer Wendy Carlos, who also composed the original music to Tron.

Contemporary composers do all kinds of things with rhythm. Starting in the 20th century, percussion ensembles became popular, and composers began writing for percussion like they would write for any other instrument family.




Enhanced by Zemanta

Comments

Popular posts from this blog

New Music Artist Spotlight EXCLUSIVE: Steampunk Musical and Interview With Gretchen Suarez-Peña

New Music Artist Spotlight: Steampunk Musical & Interview With Gretchen Suarez-Peña New Music Resource was excited to interview exciting musical theater playwright and director Gretchen Suarez-Peña about her latest musical theater production: Melina A Steampunk Musical Tragedy. Gretchen Suarez-Peña is a long-time playwright and lover of the theatre. She has been acting, directing, and writing plays since her teenage years. Her most recent success was winning overall best full-length play at the 2018 Tampa Bay Theatre Festival for her show Conversations in the Car. Playwright and Director Gretchen Suarez-Peña NMR: How did you start in musical theatre? What inspired you to follow this path?  I've been involved in musical theatre since I was a kid. I loved the theatre, acting, singing, and acting in middle school and high school. I participated in every thespian competition and community theatre production I could at that time and into college and early ...

Percussion 101: How to Play Hand Crash Cymbols

Young Girl Plays Cymbals The hand cymbals (or crash cymbals ) are extremely versatile percussion instruments . The hand cymbals are used in the military, drum and bugle corps , the orchestra, and wind ensembles. Proper percussion hand cymbal technique takes many years of practice and hard work, as well as stamina and upper body strength. The most common use of the hand cymbals is in the drum line, whether in a high school band or a professional drum and bugle corps. Two cymbals are held by straps to the cymbal player's hands. In marching band and drum and bugle corps, the cymbal player often will loop their own hand in the strap, then grab the strap.  Protect Your Hands Tape, strap pads, and gloves are often used to protect the cymbal player's hands from blisters and the slow grinding away of skin during a lengthy band show. In the orchestra setting, where the crash cymbal is often reserved for music accents and shorter music passages, the percussion player does...

Machinima Magic using Moviestorm, Final Cut, and Photoshop

For those who have been wondering about the hiatus here at the New Music Resource, wonder no more! The past six months I have been working on a sci-fi machinima musical Libertaria: The Virtual Opera . Created almost entirely in the machinima software platform Moviestorm and scored with a catchy combo of electronic music, film scores, and dramatic vocals, Libertaria has been an incredible collaborative project. Moviestorm has been an excellent and inexpensive way to create an entire epic sci-fi tale for a minimal amount of resources. Almost three years ago I started using Moviestorm for a variety of video projects, and then decided to make an entire feature length musical using only machinima. The project proved challenging, involved a couple of dozen singers, animators, and other artistic professionals volunteering their talent and resources to create an incredible feature. W atch a the lo-res version of  the song Pilar of the Underground from Libertaria: The Virtual Opera : ...