Skip to main content

Music Child Prodigy and the Savant

Portrait of Leopold MozartImage via WikipediaI would like to distinguish between a musical prodigy, a musical savant, and a musical genius:

  • Musical Prodigy: Typically a young child with inordinate intelligence and musical talent (and usually with parents who recognize and push the child's abilities). Mozart was a musical prodigy and musical genius.
  • Musical Savant: A severe mental disorder which allows for incredible musical talent in some cases
  • Musical Genius: A person (young or old) with exceptional musical talent that may have developed as a child or taken years (or even decades) to perfect. Usually of high intelligence. The majority of serious composers that I know personally and/or professionally fall into this category. I do not consider student composers part of this group.

In the day of YouTube, it is fairly easy to find hundreds of "musical prodigies". A recent example would be the young Jackie Evancho on the reality show America's Got Talent. Videos from a few years ago showed a young girl with some musical talent. Her parents recognized this talent, gave her professional vocal lessons, and the rest is history. (BTW, most vocal experts agree that a developed voice like Jackie's at that age will most likely destroy a child's vocal chords before she reaches adulthood. Hopefully her parents will look out for her and ignore the money signs if her voice begins to suffer).

Mozart and his sister Maria both were musical prodigies, pushed on by their father Leopold. Mozart had an amazing ear like very few musicians. He could compose a symphony in his head and dictate it exactly without even having to be by a piano. He was a musical prodigy in both composition and performance.

I do differentiate between musical prodigies and musical genius because there are few musical prodigies (and even fewer that have their talents recognized at an early age) but there are millions of musical geniuses in the world.

I believe that to become a musical genius, one has to have the intelligence, creativity, obsessiveness, and diligence to succeed. I have many students who want to become amazing musicians. They might have lots of talent or little drive or they might have little talent and lots of drive, but it is perseverance and hard work that make the difference between the wannabes and the great musicians.

Sources:
Hiles, D. (2002). Savant Syndrome. De Montfort University. Retrieved from http://www.psy.dmu.ac.uk/drhiles/Savant%20Syndrome.h
Enhanced by Zemanta

Comments

Popular posts from this blog

A Composer's Brief Guide to Percussion Mallets

When composing for percussion, it is important to know the difference between a variety of mallets. Although in most cases the percussionist will choose the proper mallets for the passage, sometimes as a composer, you want a particular sound. It is always good to research a mallet before indicating it in your score. Consult a percussion catalogue for a more in-depth look at the hundreds of mallets available. 1. YARN MALLETS They come in every dynamic range from supersoft baseball-sized to forte. They are the multi-purpose mallet, used for toms, suspended cymbal rolls, marimba, xylophone, woodblock, and pretty much anytime a percussionist doesn't have time to pick up another mallet. 2. CORD MALLETS These are harder than the yarn mallets. More effective on xylophone and vibes, these mallets can also be used for a variety of percussion instruments. 3. BRASS MALLETS These are for use on the glockenspiel/bells and the occasional brake drum. They produce a more "tinny" kind of ...

Music Secrets: The Music School Survival Guide

Music Secrets: The Music School Survival Guide Don't have any time to balance rehearsals, exams, and a social life? Then read on!  So you find that between playing in orchestra, the school musical, a solo recital or two, joining Sigma Alpha Iota or Phi Mu Alpha , playing in the alternative band at night, pep band, and marching band that you can't keep your eyes open, let alone study for the music history midterm next week or even begin to write your term paper on Debussy? Then read on and learn to balance life in Music School. 1) Musicians DO need to Sleep   Yes, you need to sleep, even if it is only five hours a night plus catnaps. Your brain cannot function if you do not sleep. So sleep, even if that means that you can't play in that awesome alternative band that jams every other night till 5am at the local bar. 2) Eat right and exercise Okay, so I sound like your parents, or Oprah, but I am serious. My biggest mistake as an undergrad (well, one of my bigges...

Percussion 101: How to Play Hand Crash Cymbols

Young Girl Plays Cymbals The hand cymbals (or crash cymbals ) are extremely versatile percussion instruments . The hand cymbals are used in the military, drum and bugle corps , the orchestra, and wind ensembles. Proper percussion hand cymbal technique takes many years of practice and hard work, as well as stamina and upper body strength. The most common use of the hand cymbals is in the drum line, whether in a high school band or a professional drum and bugle corps. Two cymbals are held by straps to the cymbal player's hands. In marching band and drum and bugle corps, the cymbal player often will loop their own hand in the strap, then grab the strap.  Protect Your Hands Tape, strap pads, and gloves are often used to protect the cymbal player's hands from blisters and the slow grinding away of skin during a lengthy band show. In the orchestra setting, where the crash cymbal is often reserved for music accents and shorter music passages, the percussion player does...