New Music Artist Spotlight: Steampunk Musical & Interview With Gretchen Suarez-Peña
New Music Resource was excited to interview exciting musical theater playwright and director Gretchen Suarez-Peña about her latest musical theater production: Melina A Steampunk Musical Tragedy. Gretchen Suarez-Peña is a long-time playwright and lover of the theatre. She has been acting, directing, and writing plays since her teenage years. Her most recent success was winning overall best full-length play at the 2018 Tampa Bay Theatre Festival for her show Conversations in the Car.
|Playwright and Director|
NMR: How did you start in musical theatre? What inspired you to follow this path?
I've been involved in musical theatre since I was a kid. I loved the theatre, acting, singing, and acting in middle school and high school. I participated in every thespian competition and community theatre production I could at that time and into college and early adulthood. I started writing, directing and producing plays in High School and I knew that was my true passion.
NMR: Melina took over a decade from concept to finally entering production. Tell me a little about this process.
In 2006, while listening to the song, Helena by Nickel Creek, I suddenly envisioned a man with a top hat and Victorian attire declaring his love to a girl that was sweet and coy, but not at all what she seemed. Her sweetness was her manipulative charm and he was leaving his current love to be with her only to realize that he would later be left alone. It wasn't until 2009 that I started the script, it was a way to deal with unrequited love. A guy I had dated a long time before had dumped me and I really felt like I had no closure from the situation even though I was married. His memory became a bit of boogie man in my life. Writing the script became a way to deal with it.
That original script was a short straight play, more or less what the first act of Melina is today. But I always knew I wanted it to be a musical. I put the script away for many years, I brought it back out in 2016 when I began writing again. This was also after I had discovered the genre of steampunk and the man in the top hat came back to me. In 2018, the story grew and expanded and I found that my original premise, still there, had grown.
|Cast of Melina: A Steampunk Musical Tragedy|
Time had passed, children and new loves were now part of the story and the classical ideas of manipulation, paying for our parents' sins, and regret grew into a story I like to call Shakespeare meets Greek Tragedy meets a splash of Jules Verne. I feel compelled to tell it now because I believe it’s a story many can relate to. First and foremost, I want to tell good stories and to entertain and I think it’s time we dug our teeth into another mythology, a tale that people leaving the theatre will turn over in their heads again and again and again. I can't say I can identify my process other than its inspiration meets planning meets opportunity.
NMR: What is Melina about?
In the fictional steampunk town of New Comen, Jacob is the highly esteemed heir to the "throne" who is in love with a lower-class girl named Mara. Mara is an aspiring vocalist that has gained the favor of the town despite her status. Their love is one of the fairy tales until Melina enters the scene. Melina sweetly wins Jacob's attention and he ends up falling for her and leaving Mara.
Mara is heartbroken over losing her first love until she meets Jeremiah, an artistic manager who promises her the world. However, Melina’s affection for Jacob begins to wane and she ends up leaving him the day Mara weds Jeremiah. Melina eventually returns having given birth to Jacob’s daughter. Disgraced and hoping to restore his place at his noble family’s estate, life takes unexpected twists as the fate of Jacob’s daughter, a talented inventor, and Mara’s son, a talented vocalist himself, become intertwined. There are twists and turns and not everything is what it seems
NMR: What inspired your story for Melina?
That's mostly in answer to question 2 but some inspirations are: personal experiences and people in my life. The songs Helena and Reasons Why by Nickel Creek, My Immortal by Evanescence, Forget About it and Lucky One by Allison Kraus. Also archetypes in Greek tragedy
NMR: Tell me more about your collaborators on this project, the cast/composer, etc.
My last musical was entitled Martha and Mary and was orchestrated by Jonatha Gautier. Jonathan Gautier is a long-time musician and composer. He is a recording artist-producer and owns his own recording studio in Lakeland, Florida. Tyler Anderson is a college student currently working on his music education degree. He is an avid musical theatre performer and composer. He is the musical director of a college acapella show choir group and also composes music for their production.
I write the lyrics and melody line and they orchestrate around it. My workshop cast is a group of actors who will be helping table work the production. They include: Alyssa Yates, Dion Spires, Jacob Reilly, Gabrielle Wood, Ashley O'Connor, Eric Sanchez, Chad Sell, Julie Newton, Logan Harris, Lisa Negron, Omar Negron, Edel Nazario, Destiny Velez, and Haylee Rowland. I'd also like to give a shout out to a few big supporters and readers of the script Stephanie Lazanowski, Austin Lazanowski, Tony Murvin, Kimber Wiggs, Glori Snow, Alan Pena, Sean Grennan and many more that have read the script and provided comments and feedback to make the script even better.
NMR: How can readers support your project?
Liking my Facebook Page Plays by Gretchen. Melina is the biggest project I have undertaken but it is not my first. If you love theatre supporting my page as a playwright is huge. Giving and supporting the Kickstarter to get the demo album recorded so I can submit to competitions and festivals.
NMR: Anything else you would like to add?
I really would love people to consider supporting new and different works of theatre. I love remakes and jukebox musicals but I really feel like there are so many new and original works that really can pain the theatre scene in a new and engaging way and we can only do that by supporting one another.